This film noir directed by Orson Welles features a climactic shoot-out in a hall of mirrors, which is a metaphor for the characters' duplicity.

A) The Stranger
B) The Magnificent Ambersons
C) Touch of Evil
D) The Lady from Shanghai

Climactic Shoot-out

A high-stakes gunfight occurring towards the climax of a narrative, often serving as the ultimate confrontation between protagonist and antagonist.

Hall of Mirrors

Often associated with opulent palaces, a hall of mirrors is a large room whose walls are covered with mirrored glass, famously exemplified by the Palace of Versailles.

Duplicity

The act of being deceitful or hiding one's true intentions, often used in contexts involving espionage or complex plots.